New painting underway...

WIP: "Kimono for Modern Girl", 2020, O/C, 36"x36"

The idea for this painting has been simmering for several months and has finally made it to the canvas.

Today's post shows the first stages of the painting: 

     1) Gray underpainting

     2) Drawing in dark blue color pencil
     3) White gesso applied to areas that will be very light in color.

Why start with a gray underpainting, you may be wondering? A lot of this painting will be done in reds and blues, colors that are similar in value (tone) to the gray underpainting. It is easier to get good color coverage if the underpainting is similar in tone, rather than trying to cover a white canvas with darker colors. Likewise, I've kept the white areas where very light colors will be applied, so those colors will not be altered by the darker underpainting. (Things I learned in art school.)

There's more to come and I'll keep you posted. Thanks for taking a look.

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Text and image ©2020 Carol L Adamec. All rights reserved.

Irises in the Buddha garden

PHOTO: Carol L Adamec

Just outside my door: such a delightful gift from Nature!

"Art in the Time of Coronavirus" ... food for thought

Original: Tribal Kimono, 2020. 24"x36", mixed media on panel.

How is it that being under New Mexico's "stay-at-home" mandate provides so much "free time" at home, yet the days seem to fly by during the current Covid19 crisis? I know I could be/should be in the studio painting away for hours on end, since there are no places to go or things to do to distract me. But that is not happening, and I am flummoxed by it all. 

I do try to resist the newsfeed and emails on my cellphone, computer, and iPad. I have avoided watching daylong media reports on the TV as well. I even put my cellphone in another room while I am working in the studio. 

Yet, the notification ding on my electronic devices is seductive and being "informed" is addictive: Is it good news or bad? Is the curve flattening? Are the number of infections rising? The death rate increasing? Is there a test yet that is truly reliable? Any progress on a vaccine so this can be over? When will my stimulus check arrive? Will our country go broke for working people? Or will working people die if they go back to work? Whom to believe: Wall Street? or Scientists, Doctors, Healthcare Professionals? 

How will I know if I don't at least look at the headlines to know what is going on in the world at large? And then I am hooked for hours on end, reading every incoming scrap of news and related story. And day after day, another day has slipped by.

Back in my small, personal world of home and studio is Tribal Kimono, a painting I finished last month just as Coronavirus was replacing our "Normal Lives" and cancelling my April exhibit at LRoss Gallery in Memphis. It's quite different from many of my other kimono paintings which are based on organic, harmonious, nature-based forms. 

Tribal Kimono is geometric, map-like, with strong opposing arrow shapes, rendered in  black white, grey, red and gold. There is chaos and order, light and dark, pattern and randomness.  

As I look at this painting today, I ask myself: Did Covid19 seep into my subconscious as I worked on this kimono painting during January, February, and March? Are the horizontals and verticals the charts and graphs of coronavirus spreads, deaths, recoveries? Are the dotted areas hotspots of outbreaks? Are the curves rising or flattening? Which beliefs, opinions, and facts are right--in the blacks, whites, or  greys?  Which "authorities"--government, scientific, healthcare, corporate, political, religious--should we follow? Which arrow is the direction our country should take? Are the red areas warnings and dangers? The gold ones, truths and solutions? 

Since "We're all in this together", does this painting somehow represent the current "tribal" kimono that America is collectively wearing?

What do you think? And how are these days in the Time of Coronavirus going for you?

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©2020 Carol L. Adamec, text and image. All rights reserved.