About The Artist

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Albuquerque, New Mexico, United States
Hello! I am a fine arts painter, with a BFA from The School of the Art Institute of Chicago. My primary painting medium is oil and alkyd, and mostly I work in a representational style. My greatest challenge as a painter is to capture the effect of light; and my greatest joy as a painter is to accomplish that. Many thanks to those readers who have been following this blog since Day 1 (May 19, 2008). To those who are visiting for the first time today...Welcome, and thanks for dropping by!
Showing posts with label mini-painting. Show all posts
Showing posts with label mini-painting. Show all posts

Sunday, October 26, 2008

Happy Accidents

"Fingernail Moon"
by Carol Adamec
Original, "Mini-Painting"
Oil & alkyd on canvas panel
1.75" x 8" • SOLD

I have mostly wet paintings in the studio right now. So I chose to share this "mini-painting" with you today—since it was dry enough to put on the scanner. (Sometimes, what works is what gets done!)

The odd size is due to the fact that I had trimmed a canvas panel for another small painting, leaving this piece as a scrap. I painted some color on it one afternoon, and then added more paint the next afternoon. Voila! a sunset landscape appeared—sort of a "happy accident." I added a few details, like the sliver of moon, and the painting was finished.

Thanks for taking a quick look. See you Wednesday.

PS: If you only received the "Canyons" image from last Friday's post, I apologize. There was a outage on Blogger when I was uploading the entry, and the text was deleted when first published. Here's the link, if you wish to read it: http://caroladamec.blogspot.com/2008/10/wild-new-mexico.html
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Image & text © 2008 Carol Adamec. All rights reserved.

Sunday, June 29, 2008

Two Realities


"Pines" 2008
Original, oil on gessoed panel
5" x 3.5" unframed



Since returning to painting this year, I have been rethinking my past working processes.

A lot of my previous work has been "idea driven" —meaning that I had an idea and would then develop the imagery to express or embody that idea. The other component of my artwork has come from an interest in rendering the phenomena of light falling on objects. My source material for developing my artwork came from photographs—ones I took myself or photos given to me by friends to use for my paintings.

Working from photographs is very convenient and helpful...especially when painting light effects. At the same time, working from photos is also limiting, and, in some ways, boring. For me, painting was becoming the challenge of meeting or exceeding the "reality" of the photograph; and I found myself wanting to take a perfect picture to ensure that I would get a perfect painting.

Over the past few months, I have been weaning myself from relying on photographs and painting from direct observation. This has been a completely different experience. There's more looking and seeing involved, many more color decisions to make, and more "do-overs"—wiping out and scraping paint off the canvas. At the same time, unpredictable stuff happens that makes the painting and the reality I am painting come "alive." Painting has become an adventure again!

This little "mini-painting" of tall pine trees was done from direct observation, looking out my studio window.

Thanks for coming along and looking at my painting. You are welcome to forward this blog to others, too.

Have a great day. See you Wednesday!

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Text, image, and painting ©Carol L Adamec. All rights reserved.