After Sunset

WIP: Night Palm

Oil, alkyd on panel

6"x6"

Since last week's post, I've "finished" two paintings which are pretty ugly (to use an oxymoronic description). 

Fortunately, a photograph taken by my granddaughter when she was vacationing in Jamaica inspired me to work up the painting posted for today. It's not quite "there" yet, but coming along. Sometimes 1 out of 3 is just part of the learning curve.

Thanks for taking a look. Have a good week.

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Text and image ©2011 Carol Adamec. All rights reserved. 

Palm Re-do

Technicolor Palm
Original oil, alkyd on panel
8"x6"

A painter friend of mine liked to say, "Nothing succeeds like excess." I thought of her one-liner while reworking this palm "practice", especially when I added that bright yellow-green on the grass.

Now the coloration of this painting reminds me of the saturated color on those '50's postcards...kind of gives the entire painting a "retro" flavor. What do you think?

Have a great weekend, and I'll see you next week. I have a couple of new paintings to share with you.

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Text and image ©2010 Carol Adamec. All rights reserved.

Palm Series: Values

Left: Photo
Right: Value study painting

There are many lessons to be learned from art history. The lives of great artists are intriguing—how they struggled to create something new and visually exciting, what inspired them, who or what influenced them.

Artist Stuart Davis (1892-1964) is best known as an American Cubist painter. Although he started out on a traditional path of realistic painting, he decided to become a "modern" artist after seeing the work of Braque and Picasso at the 1913 Armory Show. He pursued this goal by mounting an eggbeater, electric fan, and a rubber glove to a table and painted only those items over and over for an entire year until he had mastered the lessons of European Cubism. Now that is discipline!

While working on the drawing of my neighbor's palm tree, I thought of several different painting "exercises" I wanted to try out. Rather than work up new subject matter, I am taking a lesson from Stuart Davis's methodology. I have underway three different versions of my neighbor's palm tree with the intention of doing something different with each one.

The version you see posted today is a value study done in black, white, and grays. The point of this exercise is to hone my skills in discerning and matching values. You'll also notice that I've changed the proportions of the various elements in the value study. I wanted less sky, so I made the house larger. There are many details that have been omitted too, since it's just a study. It's not too exciting yet, but we'll see where it goes.

Thanks for taking a look and have a good weekend.

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Text and image ©2010 Carol Adamec. All rights reserved.

Plein Air...from the Studio

Graphite & color pencil

With the temperature and heat index over 100 degrees here in Florida, working outdoors is out of the question. However, I do have a very nice view of my neighbor's house from my studio. And my neighbors do have a nice tall palm tree in their front yard. So, why not just paint the view of out my window, sort of working en plein air from my nice cool studio? Works for me!

As I've mentioned in the past, when I am unhappy about how a painting is turning out, the problem is usually the drawing. I find that drawing is the best tool for really observing an object, getting the details, and gaining understanding of how a thing truly is. I find that I discover the beauty of an object just by drawing it.

So, I've begun my study of Florida trees with this drawing of my neighbor's palm. I'll be working up a small painting that I'll show you in my next post.

In the meantime, thanks for taking a look and stay cool this week.

Happy Father's Day to all the Dads out there, too!
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Text and image ©2010 Carol Adamec. All rights reserved.