Happy 4th of July!

"July Flag", 2008, oil on panel, 10x8". Plein Air painting done in Orlando, FL.

Enjoy your holiday!

The Long View

Landscape Sketch #8 (San Antonio Oxbow),  2013.
Original oil on gessoed panel, 4"x6"
(NFS: Artist's Collection)

Besides meeting very nice artists to share an outdoor painting session, the great thing about being in a plein air group is that you get to paint in places that you might never discover on your own. That was the case when I painted with the Monday Painters about a month ago. 

We gathered around 4:30 in the afternoon on the west side of the Rio Grande River on a sandy cliff. Spread out before us was an incredible long view looking to the east. The San Antonio Oxbow is directly below the cliff, and extends to the bosque, speckled with old cottonwoods in various stages of green-to-yellow color changes. 

Beyond that are the treetops of Albuquerque's neighborhoods sloping up to the Sandia Mountains, that were just starting to take on a pink blush of the coming sunset.The light and air were perfectly clear. 

With the sun warm on our backs, we all painted away for the next two hours, enjoying this unique view. A truly fabulous day for plein air painting, and I was pleased with the painting I completed, too.

Thanks for taking a moment to visit my blog. I hope you enjoyed this post. Have a great day.

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Image & text ©Carol L Adamec, 2013

Paint Out in Socorro: Days 2 & 3

"Looking West, Route 60", Oil on panel, painted in plein air

I woke up in Albuquerque to a steady rain and socked in skies on Day 2 of the paint out. I didn't want to get out of bed, much less drive the 86 miles to Socorro. Fortunately, the start of the paintout was postponed for 2 hours, which gave me plenty of time to make the trip down I-25 to meet up with the rest of the painters around 11:00am. 

It's a rare day in New Mexico that the sun doesn't shine at least for a little while. So by the time I drove out to the Box Canyon area, the clouds were giving way to patches of blue and light on the landscape. Today's post features my painting done on Saturday of the view looking west from The Box.

On Sunday, Day 3 of the Socorro paint out, there was a 2-hour Quick Draw session. A Quick Draw is a challenge to complete a plein air painting in just 2 hours. Between 9:30 and 10am, plein air painters were scurrying all around the Socorro Plaza trying to find a "good spot" and set up their paint gear somewhere under a portico or overhang, since the skies were dark and threatening again.

At 10am, a horn blasted and the painting began. About half way through the Quick Draw, it began raining, but everyone just kept painting. Precisely at noon, the horn blasted again, and the painting ceased. Then we all gathered outside the Vertu Gallery, located on the north side of the Plaza, to show off what we each had accomplished in the two hours. It was truly amazing what the Quick Draw winners had done—very lovely work!

After a leisurely lunch break, all the artists returned to the Vertu Gallery at 2pm for the opening reception for a show of the plein air paintings completed during the 3-day paint out. It was nice to see everyone's work, to talk shop, and chat with gallery visitors who came to see the exhibit. Awards were given to the three best paintings, along with an honorable mention. 

The exhibit will continue through October 15. For more information, you can check out the gallery's website: http://www.vertuarts.com

Many thanks to Karyn DeBont who organized the Socorro Paint Out. You did a great job, Karyn!

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Text and images ©2013 Carol L. Adamec. All rights reserved.

Santa Fe Trees

Santa Fe Trees, painted en plein air. Oil on panel 6x8

A few weekends ago I took a plein air workshop in Santa Fe. On Saturday we painted in the arroyo behind Museum Hill, and it was in quite warm, in the high 80's. On Sunday we painted up in the Sangre de Cristo Mountains above Santa Fe, where we enjoyed temperatures in the low 70's. I was glad I had taken an extra paint shirt to wear. 

Santa Fe Trees was painted up in the cool of the mountains. where it is quite green with abundant trees—especially ponderosa pines and aspens. It will be lovely to return there in the fall, when the aspens are decked out in their golden yellow leaves.

Thanks for visiting my blog and enjoy your day. Keep cool!

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Text and photo ©2013 Carol L. Adamec. All rights reserved.

Santa Fe Trees, measuring 8" x 6", is painted in oil on Italian canvas panel, varnished and ready to frame. Available for purchase on ETSY at www.ArtByCarolAdamec.ETSY.com.

Return to Plein Air...Painting!

View from Coronado State Monument #2, 2013. SOLD

The weather has been lovely in New Mexico this month, and great for painting outdoors. 

The Plein Air Painters of New Mexico scheduled a "paintout" for the group on Saturday, May 4, at Coronado State Monument. This is a historic site, where in 1540 Francisco Vásquez de Coronado—with 300 soldiers and 800 Indian allies from "New Spain"—in his search for the fabled Seven Cities of Gold, came across a Tiwa settlement inhabited by native peoples instead. Adjacent to the Visitors Center are "new" ruins, reconstructed over the original pueblo ruins, along with a room full of kiva murals excavated in the 1930s by WPA workers.

This is a wonderful location for painting since there is a clear view of the Sandia Mountains, and the site slopes down to the Rio Grande River, lined with old—some very old—cottonwoods. (I can imagine the Conquistadores watering their horses at the river, or napping in the cool shade.) There are also a few scattered picnic tables with ramada covers to provide some shade.

The painting posted today is my second attempt to paint the Sandia Mountains as viewed from Coronado State Monument.  With great clouds floating over the ridge of peaks, the play of light, dark, and color was fun to capture on canvas. I hope you enjoy this painting.

Thanks for visiting my blog and have a great day!

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Text and photo ©2013 Carol L. Adamec. All rights reserved.

Plein Air...Florida style

When I have the chance, I usually like to preview the site where the plein air group is meeting—partly, so I know where I'm going, and partly so I can pick out a good view and comfortable site to set up.

This weekend, I'll be painting en plein air at Wekiva Island, a commercial recreational area located on the Wekiva River, The location offers a boat launch, along with canoe and kayak rentals, a sandy volleyball area, lots of shaded spots to enjoy a beer, glass of wine, and socializing, and many lovely, relaxing views of the river.

So, this morning I took off for a leisurely drive to check out Wekiva Island in advance of the painting session. After about a 30 minute drive from the house, I arrived at the site, which is unpretentious, laid back, even quaint. Since it's gotten much warmer this week in Florida, I was looking for a shady spot. And because everything is so full and green, I wanted a river view as a contrast to the all the vegetation. I spied a nice spot across a field, and headed over in my car.

I wasn't the only one who thought this was a good place. When I pulled my car up to the river's edge, there was an alligator sunbathing on the grassy shore. And he wasn't giving up his spot just because I showed up!

Maybe he'll have something else to do this weekend, and I'll get to use that spot for painting.

Hope you have a good, alligator-free weekend, too.
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Text & image ©2010 Carol Adamec. All rights reserved.