Today I have two small paintings to share: a sweet backyard landscape I did in Florida, and a fun colorful "pour painting". Enjoy!
While living in Florida, I took up plein air painting—which is setting up your easel in the great outdoors and creating a painting from the scenery that surrounds you. (This is one of the things the French Impressionists became famous for doing.)
The challenge of plein air painting is capturing the color, light, and shadow of the scene before you within a 2—3 hour window. After that, the shift in light, shadow, and color that you began with is gone. So often plein air paintings have a tendency to be done on a smaller sized panel—You either get the painting done or forget it.
“Backyard Blooms” is a painting I did in 2010 during a plein air “Art in the Gardens” tour in Leesburg, FL. It was a lovely event hosted by generous homeowners who made their gardens available to a select group of artists. I was pleased to be one of them.
The challenge of plein air painting is capturing the color, light, and shadow of the scene before you within a 2—3 hour window. After that, the shift in light, shadow, and color that you began with is gone. So often plein air paintings have a tendency to be done on a smaller sized panel—You either get the painting done or forget it.
“Backyard Blooms” is a painting I did in 2010 during a plein air “Art in the Gardens” tour in Leesburg, FL. It was a lovely event hosted by generous homeowners who made their gardens available to a select group of artists. I was pleased to be one of them.
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“Bird & Leaf”, acrylic on stretched canvas, 6” x 6”, unframed. Price $20. |
A few years ago, a new painting technique became all the rage. Called “poured painting”, the most basic technique involved layering acrylic paint colors in a cup that was then poured over a stretched canvas.
I did a few of these to try it out. It was fun, easy, messy, and the outcome was an unpredictable swirl of colors—which was the best surprise. However, other than the color variations, all the paintings looked pretty much the same. (Several pouring variations have evolved since then with far more distinctive results.)
Wanting to create a more interesting image, I glued the black cut out elements over the poured painting surface, added some metallic gold edges, and Voila! Bird and Leaf came into being. Can you see it?
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Images and text ©2021 Carol L. Adamec. All rights reserved.
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